An artist's creative workspace exemplifies a diversity of materials such as paint bottles, brushes, cups with paint, and various art supplies on a heavily paint-splattered table.

Artist Bio

Joseph Stabilito was born in 1955. He attended the Tyler College of Art in Philadelphia, and by 1982 had his first solo show at the Sande Webster Gallery there. His early work followed the canon of the Abstract Illusionisim movement, as popularized by James Havard. A showcase of Stabilito’s paintings in the windows of Bonwit Teller brought his first public recognition. That was followed by a display of boldly colored canvases for the windows of Bloomingdales, which garnered the attention of prominent New York designers, such as Juan Montoya. By 1983, Stabilito was encouraged to move to the East Village, joining a red hot art scene. With the constant exposure to new artists, Stabilito began searching for a truer expression of himself. He experimented with various styles, connecting his love of abstraction, color, and surrealism into the dominant components of an idiosyncratic style that he could call his own. To that end, Stabilito has been painting for over 40 years, and been exhibited in shows and galleries around the globe. His blend of florescent color, inventive shape-making, and doodles are instantly recognizable. Joseph Stabilito currently lives in New York and Upstate NY.    

Artist Statement

I’m influenced by everything I see in my world. I’m seduced by color. I dwell in the space between organic and abstraction. I rarely begin with a fully resolved image, allowing me to push into uncharted territory. Every mark creates a new problem, leading me to correct, redraw, and build over what came before. It’s the process of making that excites me. Blobs, grids, and networks recur alongside drips, painterly marks, and dense layers to create tension between playfulness and unease. Contextually, I’m playing with surrealism, but narratively I’m pulling from biology, anatomy, graffiti, and more. I create personal worlds that are sometimes unsettling places, where things appear to be growing, colliding, or becoming something else.

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CV

NEW WORK Lockwood Gallery Kingston 2025

UNBOUND D’Arcy Simpson Hudson 2024

SIZE MATTERS Circle 46 Gallery Hudson 2024

WORLDBUILD D’Arcy Simpson Hudson 2022

VANISHING POINTS James Cohan NY 2017

HEADS University of New South Wales Australia  2002

THE SWORD OF DAMOCLES Painting Space Gallery NY   2012

NEW WORK McDaris Fine Art Hudson, NY 2016

TWEAKERS Sara Nightingale Gallery Water Mill, NY   2011

RED Cheryl Hazan Gallery NY 2010

MADE Architectural Digest HOME Show NY  2011

NEW WORK Urban Space NY 2008

STABILITO LIPANJE ARTECONTEMPORANEA Italy   1996

ART FAIR ART COLOGNE INTERNATIONAL KUNSTMARKT Germany   1995

ART FAIR GALLERIA del VENTAGLIO Italy    1994

FIAC Paris    1993

NAVY PIER Chicago   1993

RTE FIERA Bologna   1993

LINEART Belgium    1992

ARTFI Columbia   1992

POSTCARDS FROM THE EDGE Barry Campbell NY 2024

STABILITO GALLERIE KUNST PARTERRE Düsseldorf 1991

NEW WORK Sande Webster Gallery Philadelphia 1988

NEW WORK Zeus Trabia Milan 1986

STABILITO Sande Webster Gallery Philadelphia 1982

RE EMERGENCE Circle 46 Gallery Hudson NY  2022

OTHER WORLDS McDaris Fine Art, Hudson, NY 2013

2013 CAAA Members Show The Pocketbook Factory, Hudson, NY

HILLSDALE ARTS FESTIVAL Boxwood, Hillsdale, NY 2013

RIDGESTATE ABC No Rio, NY    2000

MAPPING THE GRID Clementine Gallery for Visual Arts, NY    2000

NATIONAL SMALL WORKS Schoharie Country Arts Council, Cobleskill, NY    2000

GERMINATION The Theatre for the New City, NY    2000

POSTCARDS FORM THE EDGE Alexander & Bonin NY    1999

D.U.M.B.O. Arts Festival Brooklyn    2000